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Alienated by the Euro-Canadian style of the period, #EmilyCarr (1935) "A Rushing Sea of Undergrowth" adopted the expressive power of the forest in a deliberately limited palette of greens and blues. In later reflection, she said that she was interested in the abstraction of #LawrenHarris, but chose to retain her vision of being of nature, rather than next to it. Part of the exhibition of "Rapture, Rhythm and the Tree of Life". (Vancouver Art Gallery, Hornby Street, Vancouver, BC) 20201027

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