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Abstract wall-based composition Leonardo Drew (2016) Number 185 has long slats and logs protruding from a central grid, suggesting the force of nature disrupting the construcdted world. Wood was weathered and painted black to make them appear salvaged and weathered. Cycles of decay and regeneration, tensions between order and chaos with implicit reference to African American history. (Tate Modern, Bankside, London) 20240517

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daviding
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